Lou Sylvre on the Co-Writing Two-Step (Also Sunset at Pencarrow, Happy Pride, and a Giveaway!)

Lou Sylvre Gay Romance Happy Endings Hi, Lou Sylvre here for my monthly post on Authors Speak. Before I get to anything else, thanks everybody who entered the Merry May giveaway. Our winner has been contacted and will soon be the proud owner of a new Kindle Fire and a bunch of books. Next, I want to say happy Pride Month, everybody on the queer spectrum and all allies!

Next, I want to say, this post is short. I know you can see that for yourself, but let me explain. I wanted to write all about my experiences co-writing (something I’ve not done before) Sunset at Pencarrow with Anne Barwell, but I have been delayed getting this post done, and now I find out my grandsons have a band concert performance tonight, the final one of the school year, and for the oldest, the final one of before high school graduation! That means I need time to make myself presentable. Others have written about the juggling act that being a writer is, and I won’t add to that, but I will say, dang. The phrase “free time” is an oxymoron.

So here’s the brief, bare-bones, bullet-point version of my report on the adventures of co-writing:

  • We approached the task by each taking one character as our own, writing the scenes that called for their point of view. While we didn’t stick to this religiously, and we suggested tweaks to each other’s writing, this method worked out great, in my opinion. It wasn’t half the work, nor was it twice the work. The work, aside from the actual writing was just different.
  • Having a work partner helped keep things moving according to plan. Of course, I didn’t want to let my co-author down, nor did I want to hold Anne back. But, more than that, the input from outside my own brain stimulated my creativity like a second muse. When I read a scene she wrote, I felt a need to respond on “my” character’s behalf.
  • Sharing the character couple’s story with another writer made them and their romance all the more precious, and added to the rewards that came with getting to “The end.” All struggles along the way, the hours spent on chat hammering things out, the research to make sure the character world was as accurate as could be and matched between scenes—all that was more than worth it.

Long story short, Anne and I will write together again, and I’m looking forward to it.

Let me leave you with that, and with a little info about Sunset at Pencarrow. Here’s the blurb, some links, and the giveaway.

Kiwi Nathaniel Dunn is in a fighting mood, but how does a man fight Wellington’s famous fog? In the last year, Nate’s lost his longtime lover to boredom and his ten-year job to the economy. Now he’s found a golden opportunity for employment where he can even use his artistic talent, but to get the job, he has to get to Christchurch today. Heavy fog means no flight, and the ticket agent is ignoring him to fawn over a beautiful but annoying, overly polite American man.

Rusty Beaumont can deal with a canceled flight, but the pushy Kiwi at the ticket counter is making it difficult for him to stay cool. The guy rubs him all the wrong ways despite his sexy working-man look, which Rusty notices even though he’s not looking for a man to replace the fiancé who died two years ago. Yet when they’re forced to share a table at the crowded airport café, Nate reveals the kind heart behind his grumpy façade. An earthquake, sex in the bush, and visits from Nate’s belligerent ex turn a day of sightseeing into a slippery slope that just might land them in love.

World of Love: Stories of romance that span every corner of the globe.

Click right here for a link to our release tour schedule and blog links.

Your comments are welcome, as always, and don’t forget to enter the Sunset at Pencarrow giveaway!

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The Authors Speak Merry May Giveaway (win a Kindle™ and a bunch of books)

Hello! Lou Sylvre, happy to be here for my monthly blog. In this post, I’m all about launching our biggest giveaway yet, and I’ll get to that in a flash. First though, I want to talk a little about Authors Speak, what we do, why we love having you be part of it, and opportunities for everyone—readers and writers—to be heard right here on this platform.

Authors Speak is designed to be a different kind of writers’ blog. Yes, we do talk about our books, our genre, writing tips, and the industry. Sometimes, we just have post something because it’s fun. But other times, we have something to say about the world in a broader sense. As authors, we live in the world like everyone else, and we respond to “big issues” like elections, laws, wars, poverty, corporate greed, and hate crimes. Our lives as humans isn’t separate from our lives as writers, and sometimes we blog here on Authors Speak about how it all ties in, and what we try to do about it. In other words, Authors Speak is a place for Authors to do just what our name says—speak our minds.

Of course, speaking out is pointless if nobody is listening, so thank you to everyone who’s visited the blog. And you know what? We realize readers sometimes want to speak out too, and you can! As you know, comments are welcome and appreciated, but here’s a new offer:

Authors Speak now has a Readers Say, page! Can’t find it? That’s because it’s blank. You might be our first reader guest. If you’re interested, comment below (which also counts as an entry for the giveaway drawing), or if you’d prefer, email me at lou.sylvre@gmail.com, and we’ll discuss particulars.

We’re know some who read our blog are fellow authors. If that’s you, we invite you onstage too! If you’d like a guest post in the spirit of Authors Speak, of if you have a cover reveal, new release, or other news announcement, please comment or email me. We’ll do our best to fit you in.

(Now for the really fun stuff)

Welcome to the Authors Speak Merry May Giveaway!
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A Lou Sylvre post: The ideal reader-author relationship? A round dozen author replies

Lou Sylvre Gay Romance Happy Endings Hello readers and fellow writers. I’ve switched my monthly date here at Authors Speak to the first. This month I’m going to do something a little different, but first a word as to why. Lately, I’ve been all about the politics, and I feel that’s as it should be. The most inclusive definition of the word “politics” is well-stated in Merriam Websters free online dictionary as the last (5th) meaning:

the total complex of relations between people living in society

So, it’s not about votes and executive orders and petitions and protests. It’s about people. Persons. Individuals in relation to the world of individuals. What does this have to do with my blog post? Hang on, I’m getting there.

Not quite five years ago I had one of my big ideas. Ruh-roh, right? This particular idea was for a project on my author blog, sylvre.com. I decided to have a whole passel of M/M romance authors answer the same set of questions. One of my favorites was specifically about politics—in other words, human relations—from a writer’s perspective. Here’s the question followed by a dozen of the answers from authors. I’d absolutely welcome comments answering the same question from a reader’s viewpoint, or anything from the same authors if their thoughts on the subject has changed, or anything else you’ve got to say—anyone.

Describe the ideal relationship between author and readers.

Andrea Speed: “Friendly, cordial. But not so friendly restraining orders are involved.”

Ellen Holiday: “I don’t know that I can speak to an ideal, but I can certainly say that I’m so delighted when readers take the time to leave a review or a rating or drop me a line or a tweet (@ellen_holiday!). I’m always so glad to hear from folks and have had some wonderful conversations with readers. There was a gentleman from England who emailed me, saying he wished he could vote for a politician like Davis Hudson (the protagonist of “Inside the Beltway”) – that was a great compliment! So readers, if you like what an author has to say, don’t hesitate to drop them a line. They may not all respond — they might be too busy writing the next book you’ll love — but it will give them great validation and motivation to keep writing.”

Anne Barwell: “An open relationship, where the author is free to be true to what she/he wants to write, and where readers feel free to give honest constructive reviews. Emphasis on constructive. It saddens me that as writers, if a reader reviews a story (which often sounds nothing like what we’ve actually written) an author often doesn’t feel as though she/he can reply to it. Tactful honesty should be a two-way street. As a reader I love to be able to chat to authors about what they’ve written, and the same is true in reverse.”

Vastine Bondurant: “Oh, wow. What a cool question. I suppose the ideal is for the readers to feel as if they know the author. For them to be comfortable, to feel free to do as the question above stated—to feel free to suggest what they’d like to see in my stories. But, above all—respect, both ways.”

Chris T. Kat: “It should be based on mutual respect. I like to connect with the people who read my stories, to know what they liked and what not. As a reader I’m mostly shy but if I found an author whose books I like I’m very loyal.”

Cornelia Grey: “I never really stopped to think about this! I guess an ideal relationship would be one where I behave and write all the requested sequels instead of chasing after the latest sparkly toy that strikes my fancy. Then obviously the readers would unconditionally love every word I ever penned, including grocery lists, drunken texts and the like, monarchs and presidents would offer conspicuous sums of money and private kingdoms for me to write their biographies, and my notebook from first grade with my early short stories would be framed and exhibited at the National Library with the Magna Charta. Well… you did say ideal ;)!”

Elizabeth Noble: “One of my favorite things to do has become the chats where I can interact in some way with readers. Some people seem to be intimidated and hesitant to email or participate in a chat and I wish they wouldn’t be. I may always be a writer, but I wouldn’t be an author without readers. I love the sorts of sites that allow and encourage interchanges between the authors and readers.”

Lisa Marie Davis: “Writing (for me, at least) is a very emotional experience and I tend to become quite attached to my characters. They are real for me. I want to write them, share their story, in a way that makes them real for the reader as well. I want the reader to care about each character as much as I do, to feel for them, root for them, maybe even miss them when the story comes to an end.
Jacob Flores:“The ideal relationship would be that the readers loved everything the author wrote. LOL! But I know that’s not going to be the case. You can’t please everyone, but I hope that the readers would be invested enough in my book to understand the choices the characters made. On the same token, authors wouldn’t be successful without our wonderful readers. The relationship needs to be symbiotic, a successful joining of creative minds traveling together on a wonderful journey.”

Jamie Fessenden: “Ideally, readers will provide useful feedback for an author about what does and does not work for them, and the author will be responsive to that, taking into account things that pushed a lot of readers’ buttons, for instance, and learning to work with that. I’ve also had readers nudge me to get back to work on my cyberpunk story and I think that’s great! I love knowing that there are people out their interested in knowing how the story will work out.”

J. L. O’Faolain: “An ideal relationship between an author and said readers is probably best compared to a dysfunctional family unit, except the screaming takes place over the internet rather than via phone calls and Thanksgiving dinners.”

Kim Fielding: “Ideally, what I love to write is what readers will love to read. Also ideally, my stories can entertain, can stir emotions, and can maybe make people think about things in new ways. If my stories inspire people, even better. And of course readers are really important to me, because otherwise I’m just writing for my own amusement.”

KZ Snow: “Interactive, in a way marked by mutual respect and appreciation. A sense of humor doesn’t hurt, either.”
Zahra Owens: “Very selfishly I’d like a reader to love or trust me enough to buy anything I bring out, even if, at first glance, it isn’t their cup of tea. As a reader, I have a few authors like that (not naming names, because these people know me!). Also, I’d like to get some feedback from them. Just honest, tactful, right off the cuff feedback.”

If perchance you’d like to see one or all of the complete interviews (which are all accompanied by bios, blurbs, covers, and excerpts), you can find them on sylvre.com by checking the list of archived months in the righthand side bar, and looking in October through December 2012. If one of the authors I’ve mentioned is new to you and you’d like to know more, as far as I’m aware they are all still in the M/M writing game and a Google search should yield results.

A tiny update about my current writerly antics: I’ve asked for the rights to A Shot of J&B in order to keep the series it truly belongs to together. They’re mine again as of April 10th. I admit to sadness, especially because I will no longer be able to use the absolutely beautiful cover by Reese Dante, pictured here. If you’d like a copy of the book with that cover now is the time, available at Dreamspinner, Amazon, Barnes and Noble and all the usual places until that date. On a brighter note, I’m currently enjoying the rare chance to go back and make a story I loved writing, and which got some strong reviews, even better with a re-edit—a little new material, along with some refinement on the old. As an author, these two main characters are a joy to spend time with. Not quite as sassy, say, as a Luki Vasquez, but responsive, surprising, and pushy enough to keep me on my toes. Make it fun!

Finally, look for another Authors speak big giveaway coming up very soon! (Stay tuned. Really.)

Thanks for reading, and I’ll see you around—the sooner the better!

Lou Sylvre on Dickens, Fiction, and Politics (Or when is an author like a bird? Tweet-tweet.)

Lou Sylvre Gay Romance Happy Endings Hi, Lou Sylvre here, switching places with Lou Hoffmann for my February blog post on Authors Speak. I apologize to readers and fellow bloggers for being absent from this blog for a while. I’ve taken to combing the news and spreading the word via twitter and facebook about how the USA and the world are in acute danger, worsening every day. To do that, I’ve let the writing and promoting of books—including blog posts where I usually talk about books, either mine or someone else’s—fall woefully behind schedule.

The reason I’m doing this isn’t that I don’t think my books can make a political difference. They can, especially if someone reads them who is not already “on the same page” politically.

This is true even though I write genre fiction, not the “literary” stuff, as it’s generally classified. In a New York Times (NYT) “Bookends” discussion from February 17, 2015, Karen Prose quoted a 2013 NYT “study” as showing that “after reading literary fiction, as opposed to popular fiction or serious nonfiction, people performed better on tests measuring empathy, social perception and emotional intelligence.” I didn’t read the NYT study conclusions or methodology and therefore can’t comment on it. However, Prose then goes on to opine that “Though the novels of Charles Dickens failed to radically improve the lot of poor children in Victorian England, they did raise public awareness of the Oliver Twists and Little Dorrits whom readers might otherwise have ignored.” Indeed, that seems accurate as far as it goes, though I believe there may be more to be said about the overall impact of Dickens on the world of his day, and it of course says almost nothing about his impact on readers ever since. My point, however, is that using Dickens to illustrate the difference of impact between so-called “literary” fiction as opposed to “popular” fiction is in itself questionable.


By all reports Dickens work was wildly popular during the nineteenth century. Many of his novels were serialized, which would suggest it was intended for the masses (at least those who could read and had sufficient leisure to purse the pastime), and he is said to be one of the earliest novelists to produce work with mass market appeal. Popular fiction? Now—now—his works are “classics of literature,” but they wouldn’t have seemed so then, I think. Of course, the pedantic distinction between popular and literary fiction is not about how many people want to read it. Research it a bit and you’ll find two ideas:

First: literary fiction focuses on reflecting society to itself, so that society can figure out the world, whereas popular fiction only seeks to entertain.

Second: literary fiction focuses on character and is character driven, while popular fiction hinges strongly on plot.

To the first, I say pshaw! Read quality genre fiction and you will come away with the feeling that you know yourself, your world, and humankind better. And guess what? Entertainment is engagement, and engagement improves learning.

To the second, because I already used “pshaw,” I’ll begin by raising the ghost of Aristotle, the creator of the seemingly sanctified arc in fiction. To the great Mr. A., fiction and its arc was about plot, though we have learned to apply it to various things like character and relationships as well. So, for starters, if Aristotle liked plot-driven fiction, who are you literary pundits to walk on his grave? Another thing, though certainly Dickens (our man of literary fiction) wrote character foremost and best, his plots were well-planned, twisty, purposeful, and very present. But more importantly perhaps, plenty genre fiction is character-driven, and the fact that genre writers are also good at giving those characters a compelling story, as well as the fact that genre readers prefer fabulous characters to do something, doesn’t mean the writer hasn’t succeeded in doing what all quality fiction does well—reflect society back upon itself!

So why, then, am I neglecting my books to promote awareness of the current political catastrophe? First, I write male/male romance, which means that my readers are by and large people who are already aware and in general agreement with my political outlook. Twitter ad Facebook provide the possibility of reaching outward from that base. Second, and more significant, the progression of political disaster in the Unites States is unfolding rapidly and accelerating every day. Yes, my books address (though I hope not in soapbox fashion because that’s boring) political realities. No, they can’t make people aware of what donald trump and his tribe of white supremacists, plutarchists, science-deniers, and people with poor grammar did an hour ago.

Writers have some skills that come in very handy when it comes to promoting awareness. The job of “Fiction Writer” in the Dictionary of Occupational Titles is rated as requiring an education and skill level of “8.” This is a high value—only advanced scientists, medical doctors, and similar have a higher rating. The level doesn’t mean writers have to all be super-smart, but it means they have to achieved proficiency in skills requiring education (self-education counts!) and lots of practice before they are perfected, and the skill set is broad. One such skill could be described as the ability to assess information, assimilate it, extract or synthesize underlying concepts, and express them in ways that are understandable, meaningful, and impactful.

That’s the skill I strive to use when I write that tweet or Facebook post. I don’t always get it right, but after many years, I still feel I’m learning my craft. If I come close—if I convey my outrage and urgency along with accurate fact, if something I write might make someone more aware of the thin ice they are perched upon, I feel I’ve done some small bit of good. Tweeting and Facebook posting certainly isn’t all I’m doing to resist the disaster that is a trump presidency, but I will keep doing it. I am also returning my attention to my fiction—what writer can keep from writing stories?

But if my time on social media is spent on politics rather than promotion, and if that means I sell fewer books… well, I hope that won’t happen. But if it does, so be it.

Those are my thoughts, for today. Thank you for reading them! Also thank you if you keep reading my books despite everything. My characters will get very lonely without you.

Why is a Writer Like a Janitor?(A Lou Sylvre flashback post)

Lou Sylvre Gay Romance Happy Endings Hi, Authors Speak readers! I’m Lou Sylvre, and this is my first monthly post here. In case you don’t know me, I’ll post my bio and some info on my books at the end of this post—and I’ll tell you right here and now I’ve got a novella releasing this coming December or January, and it’s very dear to me, even though it’s not all my “usual.” It’s just, occasionally, when I write something I feel down deep that I’ve somehow pulled off writing a really good read, and I believe readers will find Falling Snow on Snow to be just that.

Talking about “writing a good read” puts me in mind of a post I wrote and shared on Love Bytes reviews back in January of 2015. The title, in fact, was “Writing a Good Read: Five Keys and a Pipe Wrench.” So the mystery of this new post title is solved—writers and janitors carry keys and may on occasion need a pipe wrench. Mostly, this post is for those of you who are looking to either start a writing career, or those of you who are writers and, like me, appreciate the addition of a new tool or a reminder about one you already have in your utility belt. But I’m hoping readers can enjoy this too, for a couple of reasons. First, sometimes it’s exciting to reflect on a book you did or didn’t like and be able to see what the author did that produced that result. Also, sometimes readers turn out to be writers, too.

So, from the original post, here’s all this:
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First, I’ll define what I believe the term “a good read” means.

Number one: A good read is a book that captivates a reader so that they finish the book, and when they do, it has satisfied something in their minds or hearts. They might have cried, or laughed, or gotten angry in the course of it, but they end up glad they read it, and most likely would want to read more about the characters or from the author. In order for the book to meet this criteria, it will have to meet the others.

Number two: The story makes sense. Brief anecdote—when I had children, my former mother-in-law bought me a cup that said, “Because I’m the mommy, that’s why!” Funny, and occasionally it works in parenting, at least for a minute, but if you find yourself explaining developments in your novel with the words “It’s fiction and I want it to happen anyway,” chances are you’ve made a jump that won’t work. I don’t mean it can’t happen in the story, but very likely you need to figure out what you need to do to make it happen in a way that makes sense. By the same token, the saying (immortalized in a pop song a few decades back), “It’s my party, and I’ll cry if I want to” does not translate well to “It’s my book, so I can do what I want.” This usually arises later in the process during beta reading or editing. Don’t misunderstand—you can certainly think that, even say it. But then if you want the book to be a good read, you’ll probably need to change your mind and do a little more work.

Number three: The characters make sense. No, really. Your characters can be quirky—in fact to make them seem real they should have at least some characteristics that could be called quirks. They can be likeable or loveable, but that can’t be all they are because that doesn’t make sense to anyone who has met a few humans—inconsistencies R us, right? Most stories will have a definite ‘bad guy.’ Sometimes a villain, sometimes a well-meaning or confused character who causes trouble for the ‘good guys.’ Sometimes it’s a group, or a thing, or an idea that fills the role. But even here, the ‘bad’ has to have something more—sorrow, possession, an unbreakable oath, a need to wreak havoc in order for their offspring to survive, or whatever. Again, to seem real, it cannot be flat as a two-dimensional plane, or it’s not interesting. There has to be a why, and most of the time some secondary whys, for everything anybody does in your story.

Number four: The world (or universe) of your story must make sense, too. Everyone’s heard about the pitfalls of world-building. It doesn’t just apply to speculative fiction (sci-fi, paranormal, fantasy, magical realism), but to every story, even if it’s written in real time, real place, real buildings. Why? Because your story never happened there. Your characters never lived there (even if they are based on people you know or real historical characters). In spec fiction, you have to be very aware of systems to make them all work together—if there’s magic, how does it work, where does it come from, what does it cost its user. If it’s a medieval town but they have a flying machine or flush toilets, fine, but make them have a sensible system. The farther you get away from pure sci-fi or fantasy, the fewer systems you must devise. Instead, though, just as importantly, your storyline and characters (which represent a system) must be incorporated as seamlessly as possible with the systems already in place.

I probably could go on about that, but I’m belatedly remembering that my post is supposed to be about five keys and a pipe wrench. Mind you, I propose these only as my own opinion, but I’m pretty sure that if you sincerely apply them (tweaking as necessary), they will at least help you get that book written, and make it a book you’re happy to put your name on.

1st Key—Never, ever, ever read those books that have titles that go something like Two Million Reasons Your Book Won’t be Published, or What’s Wrong with Your Writing. Hey, be real. We’re hard enough on ourselves. These books may purport to have good advice for you, but what they really do is drive home to you, consciously, that you don’t write well enough to be published. Subconsciously, they’ve got you rehearsing how to do things in a way that will end with a negative result.

2nd Key—Think small when planning your book. Start with a narrow premise you’d like to explore, a character or two whose story you think needs writing, a single storyline, or even just a start. This makes it possible for you to outline quickly and get to the writing. Believe me, the characters will multiply, as will twists, turns, and subplots.

3rd Key—Start the writing early in the process. Yeah, this might be called Key 2B, but I think it deserves a place of its own. The only way to begin to learn to write is to begin writing, so the longer you put it off, the longer it will take to learn. And, you’ll probably find that the longer you put off writing the story you want to turn into a book, the harder it gets to make that start. By “write” I don’t mean outline. Yes, do a broad outline, but right away pick a place to start writing—no this doesn’t have to be the beginning—any scene that calls to you. If you know how, you can kick start it by storyboarding, or just do a rough outline of the scene. You should be able to do that within an hour at the most. Then right away, put words on a blank page. It doesn’t have to be good! Just write it and don’t stop until the scene is on the page. Then do another one the next day.

4th Key—Remember you’re really not the boss, at least not all the time. Your characters will have things to say, and they will want you to write what they want to do. At least part of the time, you’re going to have to do it if you want the story to move forward—and momentum is a precious commodity in novel-writing. Likely, you will also realize that your characters have a pretty good understanding of what the story needs. Yes, they’re sometimes like berserk little children and you have to take their privileges and put them in time out (please don’t tell Luki Vasquez I said that), but they need play time, too.

5th Key—Trust your editor to be good but not perfect at their job; trust yourself to be good but not perfect at your job. This key is the only one I’m giving that’s not related to spitting out that first draft of your first novel. It’s for later, after the publisher has accepted your book, or you are at the stage in self-pubbing where you’re ready for the editor. (Yes, it will happen if you want it to and you do the work.) What I mean by “their” job and “your” job is that a good editor knows how a story works, how a sentence works, and lots of stuff about grammar, spelling, punctuation, etc. That’s their domain. If they say your story doesn’t work because something’s missing, it probably is. Or if they say your main character isn’t likeable, he’s probably not. Grammar is a grayer area, because in fiction sometimes an author writes in a way that isn’t exactly proper for voice or effect—and most experienced fiction editors will recognize that. It’s your job, as author, to determine whether that’s the case with each edit, no matter how small. It’s your job to know whether their suggested fix will have a different meaning than what you’ve written, because meaning is what the story is about, and that’s your domain. Take edits seriously, think about them, and respect your editor’s work and know-how. Your book will be a lot better for it when it makes it debut.

The pipe wrench— Most people probably know that a pipe wrench comes in really handy for plumbing. But not everyone knows how much a pipe wrench can do when you use it like a hammer, either tapping or pounding as the case requires. The name of this particular pipe wrench is “just write,” and it’s the most versatile, useful item in your toolbox. Key 1 reflects this, but the pipe wrench continues to be awesome throughout the process of the novel and throughout your career. You’ll get mysterious “writer’s block.” Your muse will go on strike. You’ll get negative comments from a beta reader and think you write sucky, so why try. Etcetera! In all cases, get out the just-write pipe wrench and put words on a page. It’ll smash the self-worth bugs, it’ll put the criticism down to size. Scare the muse into suiting up and showing up. Break the clog blocking the pipes into smithereens and let them flush away.

That’s it for my advice. Really. Enough, don’t you think… Thanks for reading! Thanks for writing. Keep doing both!
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Oh yeah, here’s a little about me, Lou Sylvre, too.

Some of my books:
VJ 6 cover banner

My bio, the short version.
Lou Sylvre loves romance with all its ups and downs, and likes to conjure it into books. The lovers on her pages are men who end up loving each other—and usually saving each other from unspeakable danger. It’s all pretty crazy and very, very sexy. How cool is that? She is the creator of the popular Vasquez and James series of M/M romantic suspense, which can be found at Dreamspinner Press, Amazon, and many other online vendors. A spinoff series began with the A Shot of J&B. She blogs at sylvre.com, is @sylvre on Twitter, and loves to hear from readers on Facebook or at lou.sylvre@gmail.com.

One place you can find my books
At Dreamspinner Press: https://www.dreamspinnerpress.com/books/searchresults?q=lou+sylvre

My latest book, the cover and blurb.
A Shot of J&B 400x600 Six years ago, Brian Harrison helped save the life of Jackie Vasquez, and he’s never really forgotten him. After the rescue, Brian ended his employment with Jackie’s uncle Luki and left the US for England, aiming to distance himself from the confused feelings—not lust, but not brotherly—that then sixteen-year-old Jackie engendered. Now Jackie has become a man, and when they meet again by chance, lust with a dose of D/s rope kink is definitely on the list of possibilities. As they get to know each other, though, lust shows every sign of growing into love, deep and true.

When Jackie moves to London for graduate studies in criminal psychology, he and Brian hope they’ll be able to enjoy each other’s frequent company. But they haven’t factored in the claim Brian’s police job with Scotland Yard will make on his time, especially when the “Gaslighter crimes” sap investigative resources. An abandoned aide dog named Soldier leads to a breakthrough clue, and a chain of discoveries fall like dominoes. As Brian rushes to beat the criminal’s game before it escalates to true terror, he comes to an undeniable conclusion: Jackie Vasquez, the man he loves, is in mortal danger.

A tiny excerpt from my current WIP, Blackmail and Roses, sequel to Finding Jackie.

Jackie took three steps out of the LAX terminal and then the heat blasted him from all directions. The pavement baked him from below, all the surrounding structures radiated like oven walls, and the sun threatened to broil his freckles black. But it was the wind, the devil-born Santa Ana that splashed red in his eyes and stole his breath.

Jackie remembered a time in LA when the Santa Anas had seemed like the touch of some blessed god, in that October when he and Josh had first wandered into the warm, dry City of Angels after a damp summer on the Seattle streets.

“Damn,” Josh had muttered. “I hope it doesn’t blow like that all the time.”
But Jackie had just shook his head, not said a word. True, he wasn’t in the habit of talking much back then. Hurt boys often don’t, he’d since learned in his psych classes. But that time his silence was one of incredulity. Jackie had loved the rough, subjugating caress of those hot winds, would have stood for days and died inside them if he could have.

But that was before he’d seen their cruel side. Before he’d seen them weave a spell of apathy and violence on even those people who sometimes cared. Before he’d seen them spin the heads of friends around until they faced each other with fists and knives. Before he’d seen them launch bullets in back alleys. Now he knew they sometimes stripped the last inhibitions from the minds of drunks, the clothes from shaking young bodies, the last vestiges of hope from desperate hearts.

Thanks for reading! Your comments are welcome, should the notion strike you. I hope to see you next month.